Cube world soundcloud series#

But like jungle, UK garage, and drum and bass, dubstep (in its OG manifestation) shared the same infrastructure with the other continuum genres.

Cube world soundcloud series#

In fact, dubstep wasnвЂ™t listed as part of the continuum in the original six article series Reynolds published in The Wire, as the genre was still incubating at the time Reynolds was writing. Journalist and critic Simon Reynolds identifies this stylistic lineage as the вЂњhardcore continuumвЂќ-a вЂњmusical tradition/subcultural tribeвЂќ that links together hardcore, jungle, UK garage, grime, dubstep, and their in-between derivates. This three-dimensional approach to music production in the late 1960s helped develop a new sonic register based on technical experimentation in the abyss of low-end frequencies and deep echoes.Д®xplorations in bass have defined British club music since the early 1990s, and strong references derived from sound system-based genres like dub and dancehall have persisted even today. Through shifting, cinematic feedback precise equalization, dub musicians achieved an alienating sound that, at its core, represented a direct translation of space into sound-influenced by Afrofuturist concepts like the nonlinearity of time and the projection of past sounds into an unknown future space-and served as a stylistic canon for past and present bass music. Specifically, hauntology defined the signature characteristics of the shadowy, vacuumed, and sonic poltergeist-inhabited sound of early-2000s London: the sound of alienation.ДЄlienation was a unifying quality of early-2000s British underground electronic music, a motif that can be traced back to the ever-present legacy of dub in British culture. For Fisher, hauntology is an attribute of the sonic sphere, a language that manifests through the use of devices like reverb, echo, and low-frequency equalization in bass music practices that tangibly ties modern music to the ghosts of its predecessors.

Notably repurposed by British theorist Mark Fisher in the early aughts, the term gained a new currency when applied to music theory.

Coined by French philosopher Jacques Derrida in his 1993 book Spectres of Marx, the term вЂњhauntologyвЂќ is a neologism combining the words вЂњhauntedвЂќ and вЂњontology,вЂќ usually applied in postmodern and contemporary philosophy to delineate the traces of past cultural histories permeating culture like ghost-like presences.